Tuesday, November 26, 2013
Pictured above is the final result of our repair of the worn section of this fine antique Persian rug. After cutting down the newly knotted wool pile, the pattern revealed itself. As always, we aimed to match the colors, motifs, and knotting of the original. As a reminder, the picture below is what the area looked like before our repair. --
Monday, November 25, 2013
As we already had professionally cleaned the rug before commencing our last repair, we were able to proceed directly to removing all the compromised wool pile that had been affected by the worn areas. Because the warp and weft of the rug had not been compromised, we were able to use the existing structure for our reknotting. Pictured above is the reknotted section before we cut down the wool knots. --
Sunday, November 24, 2013
In this and the next few posts, we will highlight another area that we repaired in the same antique Persian rug about which we wrote in our last posts. After years of use, repeated foot traffic, and continued stress on the knotted pile, sometimes certain areas of handmade rugs become worn, as shown in the picture above. To minimize the risk of such wear from occurring, it is recommended that owners of handmade pieces rotate their rugs at least once every six months as people tend to follow the same traffic patterns day after day thereby causing wear to the same rug areas. Rotating rugs helps the wear distribute more evenly. In addition, rotating rugs allows any sun exposure to the rug to be more evenly distributed.
The wear on this antique Persian rug had not yet compromised the underlying warp and weft - the underlying grid-like pattern under the knotted wool pile. In our next post, we will highlight how we repaired this section. --
Monday, November 11, 2013
After cutting down the reknotted pile and recreating the compromised fringe, the final result of our antique Persian rug fringe restoration is pictured above. Note that we cut down the fringe along the edge of the entire length of the rug so that the fringe length would be uniform. This was done for aesthetic reasons only. We bound the fringe to minimize the risk of the pile unraveling. As a reminder, the picture below is what the area looked like before the restoration. In our next posts, we will highlight our restoration of other areas of this beautiful antique Persian rug. --
Sunday, November 10, 2013
We last left you with a moth infested Persian rug that had severe damage along its fringe and several areas of the pile. After we professionally cleaned the rug to rid it of moths, we extracted all loosened and compromised pile. Luckily, the warp and weft was left mostly intact as it was made of cotton and the moths left it mostly untouched. We next began reknotting the missing pile on the original warp and weft structure. The picture above shows the reknotting in mid-process. Below is a picture of the reknotted pile once it was complete, but before we cut it down to match the length of the rest of the rug. The final step was to reweave the fringe so that it would be uniform along the edge of the rug. In our next post, we will share the final result of this latest antique Persian rug restoration project. -
Thursday, November 7, 2013
Persian rugs are exquisite, timeless, beautiful, and amazingly durable works of art able to withstand generations of wear, tear, and memories. One of the only true threats to fine Persian rugs are tiny beings nearly invisible to the naked eye. What are these powerful tiny threats to fine wool Persian rugs? Moths, of course. Any collector of Persian rugs will know that preventing moth damage is key. Regular professional cleanings and avoidance of storing rugs in humid and dark places can save a collector lots of heartache. The owners of this beautiful antique Persian rug pictured above were unfortunately among the many unlucky people to find that their fine rug suffered significant moth damage that compromised various parts of the pile in the center field of the rug, as well as areas along the fringe. Pictured above is the damaged area along the fringe.
Our first task when we receive a carpet that has been damaged by moths is to professionally clean the rug so that we ensure that all signs of moth infestation are eliminated. The next step is to identify and isolate each area that has been damaged and compromised by the moth infestation. For this project, after we professionally cleaned the rug, we removed all wool yarns that were damaged and compromised to reveal the underlying cotton warp (moths definitely prefer wool over cotton). In our next posts, we will share how we approached repairing this section of the rug. Fringe repair is critical as it literally binds the rest of the rug to hold its structure in place.
Sunday, October 6, 2013
After professionally cleaning the kilim, we began restoring the damaged area (shown below). As the picture above shows, we rebuilt the warp and weft and rewove the missing and damaged motifs. As always, we tried to use yarns that would match the original yarns as closely as possible. With older kilims or rugs, such as this Konya kilim, it is particularly important that the yarns used in any restoration or repair be similarly aged so that the color of the restoration is muted allowing it to blend in with the original. --www.traditionalrugrepair.com
Thursday, September 26, 2013
Various rug and kilim restoration projects have been keeping us busy and have prevented us from blogging more regularly. One such recent project was repairing this lovely Konya Turkish handwoven kilim that had several damaged areas, including a significant tear along one of its fringe areas. This Konya kilim has a very fine weaving density, and its beautiful hues of blues, reds, and ivories are a testament to just how more beautiful colors can become with the passage of time. To repair this torn area, we had to reconstruct the warp and weft using materials that would blend into the older yarns. --www.traditionalrugrepair.com
Monday, September 2, 2013
After rebuilding the warp and weft, we then rewove the missing motifs in yarns that nearly matched the original colors exactly. Above is a picture of the rewoven area (as a final step, we removed the excess warp (the white loose thread)). As a reminder, the picture below is the same area before our restoration work. This Soumak restoration was a pleasure to work on - the piece is so vibrant and lovely, we hope its owner will enjoy it for many years to come. --www.traditionalrugrepair.com
Sunday, August 25, 2013
The first step we took on our recent project was to professionally clean this Soumak rug. Generally, it is always advisable to clean a rug before undertaking any rug repair or restoration. After the cleaning, we removed all the damaged and compromised yarns surrounding the affected area. Next, we rebuilt the warp and weft, the grid-like structure in white pictured above. With the warp and weft in place, the next step is to outline with a pencil the shape of the motifs that must be woven. The next step, which we will highlight in our next post, will be to weave the motifs in colored yarns that will match the original yarns as close as possible. --www.traditionalrugrepair.com
Sunday, August 11, 2013
Pictured above is an exquisite antique Caucasian Soumak that we recently repaired. This piece was a pleasure to work on. The weaving of this Soumak is beautiful, and the colors are vibrant, sharp, and wonderfully rich - because of (not despite of) being exposed to over a century of sunlight, family life, and all else that 100 + years brings. Soumaks, in general, are wonderful examples of traditional weavings; they are different from hand knotted pieces that have a pile, and different from the flat woven kilims. As you will see from the picture above, Soumaks resemble what I think of as carved art, with each motif seemingly "outlined" or carved into the piece itself. They are truly special and always a joy to look at and study. --www.traditionalrugrepair.com
Saturday, August 10, 2013
After knotting the damaged and compromised pile, the picture above shows what the repaired area looked like from the reverse side of the rug.
Once we removed the rug from its temporary loom, our Afghan rug repair was almost complete.
The only remaining step was to trim the fringe to the same length as that of the original Afghan rug.
And, finally, pictured above is the final result of our Afghan rug repair. As a reminder, the picture below is a close-up of what the area looked like before our repair. --www.traditionalrugrepair.com
Monday, August 5, 2013
As our last post showed, this Afghan rug's fringe was chewed by a puppy, causing damage not only to the fringe, but also to a section of the knotted pile.
Our first step in the Afghan rug repair was to eliminate all of the damaged fibers and then rebuilding the compromised and missing cotton warp (the white vertical strands pictured above from the backside of the rug).
Above is a picture of the recreated and extended warp affixed to a temporary wooden loom.
Next, we rebuilt the weft, the horizontal strands that complete the grid like structure pictured above.
After completing the grid like base of the warp and weft, the next step in our Afghan rug restoration was to reknot the missing pile. Matching the yarns to the original rug was a challenge, as the colors of the rug when viewed from one side look very light, but when viewed from the opposite side, the colors seem darker. Many rugs have a similar color variation, but this variation is much more pronounced in some Afghan rugs, such as this one. --www.traditionalrugrepair.com
Sunday, August 4, 2013
As many owners of fine rugs and kilims know, they are extremely durable and can last for decades with just minimal care. The most vulnerable areas of a handmade rug are its edges - both the fringes and selvages. The edges are generally subjected to the most significant wear and tear, aggressive vacuuming, and, in this rug's case, the hungriest of puppies. The puppy here managed to rip away the fringe's binding and pull out the knots of a portion of the pile. Some of the cotton warp was ripped out as well. In our next post, we will detail how we repaired the damage to this hand knotted Afghan rug caused by a puppy's appetite. --www.traditionalrugrepair.com
Sunday, July 14, 2013
So after professionally cleaning this antique Chinese rug, removing all the compromised knots and other fibers, recreating the warp and weft, sourcing yarns that matched the original colors, and reknotting all damaged and compromised pile, our antique Chinese rug restoration is complete. Above is a picture of the front side of the restored area. Below is the same area seen from the underside.
And just as a reminder, below is a picture of the damaged area before our antique rug restoration. --www.traditionalrugrepair.com
Wednesday, July 3, 2013
The next step in our antique Chinese rug restoration entailed us recreating the damaged warp, the white vertical strands in the picture above.
The next step was to recreate the warp, the horizontal strands pictured above, to complete the "grid" upon which the knotting will rest.
The next step is the knotting, pictured above. The longer yarns are the new yarns we sourced to match the original antique rug's colors. When a piece is antique, it is critical to use yarns that are not too bold so that the restored section will better blend into the original rug.
The shaggy appearance of the newly knotted pile will be cut down to match the height of the rest of the rug once the knotting is completed. --www.traditionalrugrepair.com
Sunday, June 9, 2013
One of our recent projects was on a traditional antique Chinese rug that was in need of restoration and repair along the selvage and center field. Finding the right yarns was quite the challenge - the vibrant, dynamic, and rich colors of this beautiful Chinese rug belie the years it has given pleasure to its owners. Seen from front and back, you can see the damage was most likely caused by continuous stress along the same point on the selvage. After professionally cleaning the antique rug, finding the yarns, our next step was to recreate the warp, weft, and missing pile. In our next post, we will highlight these latter steps. --
Wednesday, May 29, 2013
Few things threaten a handmade rug or carpet like moths. Normally, with just a minimal amount of care, a handmade rug or carpet can last generations. But if moths attack a rug, they can cause extensive - and, often, expensive - damage. What should you do if you spot moths on your rug?
First, it's important to know what to look for. Pictured above and below are pictures of moths doing what they do best - feasting on wool.
The white, almost glue-like, spots are a live moth infestation.
In this instance, moths moved from eating the rug to eating the pad (or it could have been the other way around).
In the rug below, the moths attacked the edge of the rug, eating their way through entire sections of pile.
Note how the moths appear on the floorboards beneath the rug.
After you identify that you have a moth problem, it is important to isolate any affected woolen products, including your rugs and kilims. Do not put any affected woolen products next to your moth-free rugs (or other woolen goods).
Next, you should have your rugs professionally cleaned as soon as possible to eliminate the moth infestation from your rugs before any other damage can ensue. Be careful to choose a service provider that specializes in cleaning handmade carpets and kilims. Do not allow any service provider to steam clean your handmade rugs.
In addition, you should mop all floors thoroughly to eliminate moths. If the infestation is extensive, it might be necessary to engage professional cleaning and/or extermination services for your home. --
Monday, May 27, 2013
After professionally cleaning this Turkish kilim, we attached small wooden frames on the sections needing to be repaired and rewoven. Next, we wove in warp, the vertical white strands pictured below.
Next, using yarns that match the original colors of the kilim, we rewove the missing motifs following the original design. Below is a picture of the weaving in progress.
Finally, pictured below is our latest Turkish kilim repair.
Sunday, May 26, 2013
Our latest kilim repair and restoration project was on a handwoven kilim from Kayseri, a city in central Anatolia, Turkey. The kilim is made of fine hand-spun wool, and exhibits the fabulous and perhaps surprisingly harmonious vibrant color combination of red, orange, black, blue, and white, among others. As with most other large projects, we first professionally clean the kilim before commencing any repair or restoration. Next, we stretch out the kilim and focus on repairing the holes and compromised section, one of which is pictured above and below. --
Sunday, May 12, 2013
One of the aspects I love about rugs is that they can be so versatile and vibrant. I recently purchased this Scandinavian Rya rug for its fantastic blue and green color palette. It is at once modern and traditional.
As this picture highlights, the yarns of this Rya rug are longer than most of their Middle Eastern counterparts. In many ways, they remind me of the Tulu rugs made in native Turkey.
Pictured from the back, the Rya rug resembles a flat woven kilim.
This Rya rug, woven in the 1960s, feels as modern today as when it was originally woven. This is the beauty of hand made pieces - they seem to never be out of date. --